Leave It to Beaver

Behind the Camera of ‘Leave It to Beaver’: Rare Photos of TV’s Most Wholesome Family

See the Cleavers like never before in this nostalgic look behind the scenes of the iconic show

Before we had streaming menus longer than our to-do lists or the option to watch an entire season of a TV show in one bleary-eyed weekend, families had a much simpler ritual: plopping down in front of the television—perhaps armed with bowl of Jiffy Pop—to spend a wholesome half hour with the Cleavers. Leave It to Beaver was more than just another show on the dial, it was a snapshot of what we imagined or hoped 1950s suburban bliss (with a few minor misadventures thrown in for good measure) was really like.

Running from 1957 to 1963, the show followed the wide-eyed exploits of Jerry Mathers’ Theodore “Beaver” Cleaver—TV’s most lovable trouble magnet this side of Dennis the Menace—as he tried to navigate the endless pitfalls of growing up. And through it all, Beaver could always count on big brother Wally (Tony Dow), wise (but fair) dad Ward (Hugh Beaumont) and apron-clad mom June (Barbara Billingsley), who somehow kept her pearls on even while making meatloaf.

But while the Cleavers kept things tidy on-screen, the real magic happened just beyond the edge of the camera frame. The streets of Mayfield? Universal Studios’ backlot. That cozy living room? A carefully lit soundstage with just the right glow. And behind it all? A cast and crew who brought heart, humor, and more than a few offscreen laughs to the set, as you’ll see in this collection of behind-the-scenes photos.

So grab your decoder ring and hop on your imaginary bike, because we’re heading back to Mayfield.

1. Suburban life and classic TV

LEAVE IT TO BEAVER, Jerry Mathers, on-set, 1957-63 (ca. late 1950s photo)

Child actor Jerry Mathers, suited up as Beaver Cleaver, gets a hands-on lesson in filmmaking while perched on a camera dolly. Shot on the Universal Studios backlot, Leave It to Beaver was one of the first TV sitcoms to be filmed with a single-camera setup, giving it a more cinematic quality than most shows of its time.

2. Meet CBS’ young stars of 1962

CBS child actors, clockwise from left: Karen Green (THE EVE ARDEN SHOW), Bobby Clark (CASEY JONES),…

A portrait of television’s youthful elite in 1962: gathered for a CBS promotional shoot, these young stars represented the heart of America’s living rooms. At the center of the ladder is Jerry Mathers, forever remembered as Beaver Cleaver, with Tony Dow, his on-screen brother Wally, standing just behind. Surrounding them are fellow child actors from popular CBS family sitcoms of the era: Angela Cartwright (The Danny Thomas Show), Mike Winkelman (The Real McCoys), Noreen Corcoran (Bachelor Father), Bobby Clark (Casey Jones) and Karen Green and Gail Stone (The Eve Arden Show). Each played a part in shaping the golden age of family TV, when network schedules were filled with moral lessons, gentle laughs and squeaky-clean kids.

3. The messy misadventures of Beaver Cleaver

LEAVE IT TO BEAVER, Jerry Mathers, 1957-63 (ca. late 1950s photo).

Covered in mud but still flashing that trademark smirk, Jerry Mathers films one of Beaver’s many innocent-yet-chaotic escapades on the set of Leave It to Beaver. The series often placed its young star in sticky (and messy) situations—reflecting the mild mischief and moral lessons that made the show a cornerstone of 1950s and early ’60s American television. A boom mic hangs above, a reminder of the production’s single-camera format. As Mathers once said, “We never talked down to kids—we were just kids being kids.”

4-5. Our little patriot, the Beaver

LEAVE IT TO BEAVER, from left, Jerry Mathers, Barbara Billingsley, 1957-63 (1958 photo)

Barbara Billingsley, who played the ever-graceful June Cleaver, helps young Jerry Mathers prepare to raise the flag outside the iconic Cleaver household set. Scenes like these reinforced Leave It to Beaver’s core themes—respect, tradition and the rituals of American family life during a more innocent time.

LEAVE IT TO BEAVER, Jerry Mathers, 1957-63 (1958 photo)

Jerry Mathers captures the earnest spirit of the 1950s American boy next door.

6. Beaver and Wally, off-duty and slightly off-balance

LEAVE IT TO BEAVER, from top, Tony Dow, Jerry Mathers, 1957-63 (ca. 1959 photo)

Brothers on screen and friends off it, Jerry Mathers (Beaver) and Tony Dow (Wally) take a break between scenes with a little sibling-style transportation—Mathers on the handlebars and Dow catching a lift.

7. Beaver literally tries on a new hat

LEAVE IT TO BEAVER, Jerry Mathers, 1957-63

Jerry Mathers suits up in fireman regalia and takes command of a Los Angeles Engine 7 water cannon, while a real firefighter wisely stays close just in case Beaver’s curiosity turns into a five-alarm situation.

8. Beaver Cleaver calls the shots

LEAVE IT TO BEAVER, 1957-63, Jerry Mathers, 1960

A sharply dressed Jerry Mathers looks ready to call “Action!” as he experiments with a Minolta Autocord camera between scenes on the Leave It to Beaver set.

9. It took a village to raise a Beaver

LEAVE IT TO BEAVER, 1957-63, Hugh Beaumont (kneeling), Bob Mosher (co-creator), Jerry Mathers, Tony…

In this candid 1958 moment on the Leave It to Beaver set, young stars Jerry Mathers and Tony Dow share a laugh with series co-creators Bob Mosher and Joe Connelly, along with director Norman Tokar and cast member Hugh Beaumont (who played the wise and steady Ward Cleaver). Gathered in the familiar Cleaver living room set, this group helped shape one of the most iconic and enduring family sitcoms of the 20th century.

10. Class is in session

LEAVE IT TO BEAVER, Jerry Mathers on-set, (1959), 1957-63

Between takes, Jerry Mathers gets some study time in—sort of. Perched atop a storage trunk labeled “Leave It to Beaver School Books,” the young star flashes a mischievous grin that suggests reading might’ve taken a back seat to fun that day.

11. Beaver’s barbershop, open for business

LEAVE IT TO BEAVER, Jerry Mathers, Tony Dow, 'The Haircut' (Season 1, aired October 25, 1957), 1957-…

Armed with a comb and a sense of mischief, Jerry Mathers gives co-star Tony Dow a quick hair touch-up—whether Wally Cleaver asked for one or not. Dressed in pajamas and surrounded by games and model kits, the boys share a lighthearted moment between scenes on the Leave It to Beaver set. This could just be the beginning of Beaver’s short-lived career as a stylist.

12. Set your watch for Beaver O’Clock

Jerry Mathers wants to make sure you don’t miss a minute of Leave It to Beaver! Holding up a playful, hand-drawn clock that reads “Thursday 9,” this photo served as an early promo for the show’s original primetime slot. Long before DVRs or streaming, appointment TV meant gathering around the set on the dot—and for millions of fans, Beaver made Thursday nights something to look forward to.

13. The world according to Beaver

LEAVE IT TO BEAVER, from left, Hugh Beaumont, Jerry Mathers, 1957-63 (ca. late 1950s photo).

“Okay, Dad… but where exactly is Mayfield?” In this educationally themed publicity still, Hugh Beaumont (Ward Cleaver) and Jerry Mathers (Beaver) appear deep in classroom-style conversation—complete with globe and workbook. Whether explaining world capitals or a moral compass, Ward always managed to deliver life lessons with calm authority, making him one of TV’s most dependable dads. And Beaver? Well, he had questions.

14. The First Family of suburban sitcoms

LEAVE IT TO BEAVER, Hugh Beaumont, Barbara Billingsley, Tony Dow, Jerry Mathers, 1957-63

This promo shot for Leave It to Beaver captures the essence of a series that blended humor with heartfelt lessons, offering a nostalgic window into a world where family always came first and growing up meant learning something new every Thursday night.

15. Beaver in his natural habitat

 

LEAVE IT TO BEAVER, Jerry Mathers, (ca. late 1950s), 1957-63.

Few images capture the spirit of Leave It to Beaver better than Jerry Mathers perched in a tire swing, caught somewhere between curiosity and contemplation. Whether he was dodging homework, navigating childhood friendships or just daydreaming about the mysteries of growing up, Beaver Cleaver represented a kind of wide-eyed innocence that struck a chord with viewers then—and still does now.

 

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