The list of memorable supporting cast members on the iconic television series “Leave it to Beaver” mostly includes the children and teens that young Theodore “Beaver” Cleaver and his older brother Wally encounter. The Beaver’s pals are typically at the center of the messy situations he finds himself stuck in. Whether it’s Whitey talking him into climbing into the giant teacup on an advertising billboard or Larry Mondello convincing him to break into principal Rayburn’s office to take a look at her “spanking machine,” the youngest Cleaver child proves himself to be easily influenced and manipulated. To be fair, Wally’s friends aren’t much better, considering his best friend is classic TV’s most well-known wise guy, Eddie Haskell.
But the supporting cast doesn’t just end with the Cleaver boys’ friends. The brothers had their share of nemeses over the show’s six seasons. Beaver’s first known schoolroom enemy, and perhaps the most well-remembered, was little Judy Hensler. She played Grant Avenue Grammar School’s know-it-all and tattletale, becoming the source of Beaver’s frustration, and sometimes embarrassment, for 31 episodes of the show’s run (via IMDb).
The frequently pigtailed brunette was played by a young actress named Jeri Weil, who was the same age as the Beaver’s Jerry Mathers. As the two child actors got older, issues began to interfere with the perceived ages of the child actors. One course of action taken by producers to remedy the situation was so off-putting to Weil that she not only left the show but abandoned acting altogether.
WEIL’S WOMANHOOD WAS AN ISSUE FOR PRODUCERS
“Leave it to Beaver” wasn’t Weil’s first acting gig. She made her acting debut in the 1953 film “Because of You,” and secured small roles in several other feature films and TV shows until she was cast to play Judy Hensler in the premier episode of “Leave it to Beaver,” “Beaver Gets Spelled.” This wasn’t the first time that Weil and Mathers had worked together, however. In an interview with “Baby Boomers Talk Radio,” Weil revealed that she and Mathers worked on an episode of “Hallmark Hall of Fame” (13:20 mark).
But Weil wouldn’t stay in acting long. In the podcast interview, she talks of how her “womanhood began to show,” prompting the show’s producers to urge her to bind her breasts so that she could retain her youthful appearance. She complained of being “taped down,” a situation that the actress said “left a bad taste in her mouth” (19:20 mark).
Weil made a career for herself as a real estate agent. Her mother had been in the business for years and encouraged her to follow in her footsteps. She admits that she made considerably more money in her adult profession, though it hasn’t been as fun as her early years in acting. Being a part of the small screen before actors were paid for rerun royalties, Weil wasn’t able to capitalize financially too much on her TV work. She jokes that her last royalty check was for a little more than a quarter, though the show’s reruns being played in Europe prompted Universal to send her a check for around $500 several years ago.
WEIL MADE ONE MORE APPEARANCE AS JUDY HENSLER
Though Weil had sworn off acting for good, she did make two more television appearances as an adult. In 1983, she appeared on “The Match Game/Hollywood Squares Hour,” playing the game for five episodes during the week of December 26, 1983. She appeared with fellow “Leave it to Beaver” cast members Barbara Billingsly (June Cleaver), Ken Osmond (Eddie Haskell), Frank Bank (Lumpy Rutherford), Richard Correll (Richard), Richard Deacon (Fred Rutherford), and, of course, Jerry Mathers (per IMDb).
In 1987, Weil made her final screen appearance so far, conjuring up the role that she’ll always be remembered most for. In the middle of the TBS Network’s sequel series “The New Leave it to Beaver,” Weil played Judy Hensler in the episode “The Bruise Brothers” (via IMDb). In the episode (the clip is on YouTube), the adult version of “The Beav” confronts his childhood enemy after he discovers that her son has been bullying his youngest kid, Oliver. He arrives on her doorstep to confront the parents of his son’s bully, not knowing who is preparing to answer his knock. Beaver and Judy are shocked to see one another but can immediately pick up where they left off years ago. The two exchange some hilarious barbs at each other, showing that some childhood bitterness just never ends.
