‘The Sopranos’ Hits Way Differently in 2025, and Not for the Reasons You Think

These days, with the entire series readily available to anyone with a Max subscription, it’s all too easy to sit down and devour the whole thing in a matter of weeks rather than years. But as it turns out, binge-watching The Sopranos in such a rapid fashion may actually dull the impact of the series’ storytelling. Some shows from before the streaming era benefited from their years-long unfolding, and The Sopranos is one of them.
Some Older Shows are Good for Bingeing, and Some Aren’t
Of course, The Sopranos’ storytelling aims are vastly different from Lost, and the slower pace of an episodic release suits it better than watching multiple episodes in one sitting. The Sopranos is, among many other things, about the passage of time and the creeping sense that the good times are coming to an end, that the world that’s coming next might not have a place in it for the characters. This subtext becomes text in the sixth season, as the old neighborhood haunts start being sold off to corporate entities and the Italian-American community begins to shift to other cultural demographics. This growing sense of doom was likely much more keenly felt by viewers who were able to watch the series unfold in real time.
Storytelling on The Sopranos often had a cyclical nature, with characters falling back into old patterns without good options to break out of them. In a binge experience, this sometimes has the unintended effect of making the series feel repetitive. Most seasons follow the general structure of a simmering feud between characters leading to a violent resolution, and the show’s deliberate pacing and gradual building of conflict inevitably feel accelerated when consuming the entire season in a few days.
‘The Sopranos’ Character Connections
Watching the series over a period of years also allows for a deeper connection to the characters, which is, of course, true of any show, but especially important in a series like The Sopranos. It’s still possible to develop a relationship with the characters in a binge format, but that relationship is inevitably going to be less deeply felt than one that develops over a longer period of time. The essentially static nature of the characters, who never really break out of their destructive patterns of behavior, becomes a bit frustrating when bingeing, as those patterns become all too obvious.
Chase never really wanted his audience to fully empathize with Tony and the gang, and wanted it to always be clear that these were men whose souls were rotten to the core